[In English]
What, Why, How of Immersion
duration: 14:29
[In French]
“Ideally, immersion is a big box into which we enter wherein everything is simulated: we speak with other people, we see, we smell, we feel … “
duration: 20:15
[In French]
“With the SAT[osphere], we speak about immersion and we speak about “being in it”. As with a church or heaven, we see something when we raise our eyes. Thus, it’s very interesting with this concept.”
duration: 32:13 - 1rst part 00:00 to 21:08
[In French]
“This project has allowed us to work with a new and stimulating approach which offers new possibilities for reaching the audience.”
duration: 32:13 - 2nd part 21:09 to 32:13
[In French]
How, through acoustic simulation, is immersion realized when simulating flight ? An exact reconstitution of what happens in an airplane is necessary. Thus, a long process of several stages begins: recording the sounds in an airplane, the technical analyses of the sounds, modeling, integration, fine-tuning with the help of a pilot, and qualification and validation with authorities. At all times, the constraints of space, equipment quality and the source data do not permit the optimal documentation of the necessary information. Research on the material and the algorithms is pursued with the objective of addressing these problems and improving the speed with which adjustments are made.
duration: 38:42
[In French]
“It’s a living scene that offers a total experience”
duration: 23:37
Immersion and Control of Sonic Content
[In French]
duration: 25:45
[In French]
“With the Cubing project we explore the relationship between the choices we make about the relationships between sound and colour.”
duration: 21:56
[In English]
A key idea for Heimbecker when working in the architecture of space: “sound as being a spatial element, not just as a sound object – so the object is an actuator to enliven a space, the architecture of space. sound itself is a measuring device for the architecture of a space and its sound systems…. In interior spaces, the reflection of sound off the walls becomes the representation of the architecture.”
duration: 27:13
[In French]
“Contrary to the frontal view, humans have an hemispheric perception of sound. It is difficult to know whether a musical phrase arrives from the front or the back.”
duration: 30:11
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